Rico's Thoughts - Roma
There are not many times where a film can wreck your emotions. That can connect with you on a human level. Alfonso Cuarón steps in and take you on a human journey, that is both evocative and heartbreaking, with his new film Roma.
The Netflix Original film is a look into the everyday life of Cleo, a house maid living in Mexico City in 1970. Throughout the film, we see Cleo’s connections with the people around her, the family she is employed by and the man she has a romantic encounter with. Cuarón sets this intimate story against a backdrop of a city and country in the midst of political revolt.
Roma stands out because it takes it's time for things to unfold. Cuarón is not afraid of taking his time. The camera moves a glacial pace to truly examine the setting we’re placed in. The shots are held for long sequences, allowing for each scene to be lived in. Though the film is in black and white, the scenes are beautiful to look at while also giving a sense of scale. Cuarón is flexing his directorial muscle, in total control of what he wants to show the audience.
Something that may not allow you to fully attach yourself to the film is the story. The focus is placed on a house keeper and the scenarios that life throws at her. Most of the time, the story feels a bit impersonal. The excellence in which the camera showcases each scene also leaves a bit to be desired, because we never truly get immersed in the intimate moments. The entire film feels as though it was shot from the perspective of a memory, not necessarily from the perspective of any of the characters, even as we follow Cleo around in her daily life.
First time actress Yalitza Aparicio brings an earnest character of Cleo to life. She portrays a young woman who is shy and has dedicated her life to caring for the family she is employed by. There is a sincere honesty in viewing someone navigating the adult world in which she forced to live. A true stand out performance is given by Marina de Tavira, who plays Sofia, Cleo’s employer. Showcasing the emotional beats of playing a wife who is subjected to life’s whims, de Tavira gives a performance that is nuanced and effortless. None of performances are flashy but they are effective in telling a narrative that can move an audience.
Roma has the potential to be considered Cuarón’s best film, depending on how you feel about Children of Men or Gravity. That does not stop this movie from being a passion project that is executed so well by a director who knows what he is doing and is in full control.
4/5 Stars